Here's My Definitive Ranking Of All 250 Taylor Swift Songs

I am rightfully sorry to myEvermoregirlies for my bottom song .

Tayor Swift: icon, genius, cat lover, and creator of eleven fantastic original studio albums. (Before you ask, I’m aSpeak Nowgirlie.) She’s written or co-written over 250 songs throughout her long career, and they’re all amazing — but I’ll admit it: I love some of my children more than others.

I’ll be real with y’all….the last time I attempted this ranking, I got thinly veiled death threats and requests that I be fired. So, this time, I decided to do the most objective, in-depth ranking I could, using a ton of different categories rather than just going off vibes alone. It’s also been four years — some of my thoughts have stayed the same, but I’ve completely changed my tune for some songs (ahem, “Cruel Summer”). Here are my categories, which add up to scores out of 100.

Without further ado….here we go!

in reality , one last thing : Do n’t detest me too much for low ratings ! If a song is rat 50 % or 60 % , it does n’t have in mind I do n’t like it — it ’s just the ratings I ’m using for song that are n’t , IMO , absolutely life-time - changing , so I can have way to give varied scores to the song ranked above it . It does n’t mean I think it ’s a 50 % strain in the terrific scheme of the world of medicine .

250.Coming in last…“Closure” fromEvermore: 16%

I ’m good-for-naught to myEvermoregirlies , but I really believe the bad Taylor song is onEvermore . There ’s something about this song that feel grating , like it was rewound and then played back on a tape . And the background scramble kind of sounds like a kid banging on a bunch of passel and pans . I ’ll give it a high emotion score for how biting it is , but that ’s about all I ’ll give this Song dynasty , except maybe a bit for originality . This is the only Taylor Swift strain I will actively skip every individual fourth dimension .

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249.“Permanent Marker” from pre-Taylor Swift: 18%

I used to heed to a live translation of this song that was SO much better than the produced version . I consider it just feel overproduced to me , and it loses the emotion of the bare guitar lead - in of the live version , and the belting just made this song a lot better . There also is n’t really a bridge .

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248.“Beautiful Eyes” from theBeautiful EyesEP: 20%

This is a sweet song , but it ’s reasonably simple and forgettable to me . Bonus point for having a bridge , though !

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247.“Beautiful Ghosts” fromCats: 25%

246.“Christmas Tree Farm”: 25%

245.“Mr. Perfectly Fine” fromFearless:26%

244.“A Perfectly Good Heart” fromTaylor Swift: 27%

I ’ve never really liked this vocal , tbh . It ’s cool that it starts with the chorus , but I would n’t say I like the chorus very much so that actually works against it . At least it has a bridge circuit , which is too short IMO , though I care Taylor ’s vox in it .

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243.“That’s When” fromFearless: 30%

I wish Keith and Taylor had collaborated even earlier in her career because I palpate like it would ’ve been well with her entry style . The bridge is just ok , and overall , I do n’t love this one !

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242.“Bye Bye Baby” fromFearless:33%

I hate to say it , but I find most of theFearlessVault   songs a fiddling underwhelming , and this one is in all likelihood my least favorite . The bridge is good , but not great .

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241.“End Game (ft. Ed Sheeran, Future)” fromReputation:34%

240.“I Look In People’s Windows” fromThe Tortured Poets Department: 36%

This is my least favoriteTTPDsong . First of all , it has no span . And then I just do n’t sense like the tune or lyrics are super potent ! It just feel ever so more or less half - baked to me .

Wow , I ’m sound like a hater . The praise is coming , I promise ! But we got ta get through these first . We ’re in the 200s , people !

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239.“High Infidelity” fromMidnights:37%

The " 3 am Edition " tracks fromMidnightsare SO hit or miss to me . Some are better than every song on the main record album , and some I just low - key do n’t really care . I do n’t want to say " dislike " because it ’s not that I activelydislike"High Infidelity" … I just do n’t needfully have positive smell toward it . Like , I just feel … neutral about it ? I do n’t feel like it ’s super catchy or has incredible lyrics or anything . And then there ’s no span !

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238.“Sweeter Than Fiction” fromOne Chance: 39%

237.“Only the Young” fromMiss Americana: 41%

236.“Paris” fromMidnights: 42%

I hate to say it because this song is catchy , but I am not much of a fan . It just feel a fleck forgettable to me . I also ca n’t fend the lyric , " model restrained by my side in the shade , and not the kind that ’s thrown , I mean the kind under where a tree has grown . " I ’m sorry ! ! !

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235.“We Were Happy” fromFearless (Taylor’s Version):42%

I experience like the language could be stronger . " When it was good , baby , it was good , child " always dun me because I care the second part rhymed with " baby " instead of repeating it . The rest of the Greek chorus is cute , but overall , this Sung is a bit underwhelming to me !

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234.“When Emma Falls In Love” fromSpeak Now:42%

This song is sweetened , but not my fave of the vault track , and I remember the songs onSpeak Nowoverall are much stronger . The bridge leaves something to be desired to me !

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233.“Babe” from fromRed:42%

I know this song was n’t originally sung by Taylor , and she write it for someone else , and it shows . It does n’t feel like a Taylor Sung , or mayhap it feels like it ’s something Taylor ’s stirred past . Like it ’s from theBeautiful Eyesera . It ’s catchy , but otherwise , I ’m not a immense fan . However , it has a great bridge deck with bully vocal music .

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232.“ME! (ft. Brendon Urie)” fromLover:42%

231.“Message in a Bottle” fromRed: 42%

I can name any Taylor Swift strain from the first few bars , and I cognize the words to all of her songs , but I must include , I kind of forgot what this song sounded like until I put it on . That being said , it does kind of slap a picayune ? I like the verses much good than the chorus , though . The bridge is decent , but nothing groundbreaking .

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230.“Girl at Home” fromRed: 43%

This song is fun and always gets overlooked —   however , it does experience like it ’s from an earlier record album , and the lyrics experience pretty simple . Still , it ’s catchy , and the bridge is fun !

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229.“Invisible” fromTaylor Swift: 44%

This feel like the same content as " You go With Me , " but not as catchy . I do n’t have anything against it ; I just do n’t have intercourse it !

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228.“You Need To Calm Down” fromLover:44%

227.“Run” fromRed:44%

I ’ve never have intercourse this chorus , but the birdsong is pretty overall . I actually wish Ed ’s verse a bit more , and the song is strong when they sing together . However , there are good duets onRed , and the bridge is just okay !

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226.“Mary’s Song (Oh My My My)” fromTaylor Swift: 44%

This song is sweet , but I ’ve never loved it . The bridge circuit feels like a young short verse , but I care the changed chorus after !

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225.“It’s Time To Go” fromEvermore: 44%

This is a secure closure track , but it does n’t have a bridge , and it ’s not extremely memorable to me !

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224.“Don’t You” fromFearless:44%

I care the bridge , and this song is pretty , but it ’s not groundbreaking !

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223.“So It Goes…” fromReputation:45%

This is one of the more underwhelmingRepsongs to me . I like the darkness of the beginning , but overall I feel like it does n’t live up to it in the actual song . And what is it withRepand the repeated lines build in the bridge ?

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222.“Today Was A Fairytale” fromValentine’s Day/Fearless:46%

221.“I Forgot That You Existed” fromLover:46%

This is a good initiative toLover , but it ’s not a song I end up coming back to on my own very often . It has a large sassiness , but the lyrics are a bit dim-witted , and the span is just okay !

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220.“Electric Touch (ft. Fall Out Boy)” fromSpeak Now:47%

219.“To All Of The Girls You’ve Loved Before” fromLover:47%

This is a cunning song , but I do n’t think it ’s as strong as some of the otherLoversongs , personally !

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218.“Long Story Short” fromEvermore: 47%

This song is a merriment listen , but it does n’t support out to me ! I require it to be more intense and catchy . And it just does n’t really emotionally touch me . Also , it does n’t really have a bridge deck , though I do like the third poetry .

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217.“Crazier” fromHannah Montana: The Movie:47%

216.“Question…?” fromMidnights: 48%

This song is tricky , but I ’ve never liked the bridge . " I do n’t think of who I was before you painted all my nights a people of colour I ’ve searched for since " is a great origin , but it ’s definitely a theme that ’s reprize in other songs , and overall I do n’t palpate like the lyrics are super strong .

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215.“The Very First Night” fromRed:49%

This song is fun , and I love the lead - in to the chorus line , but the bridge is n’t extremely memorable , and that ’s kind of how I feel about the song as a whole . It ’s an enjoyable listen , though !

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214.“Foolish One” fromSpeak Now:50%

This Sung starts really unassailable , but I finger like it does n’t quite survive up to its potential !

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213.“The Alchemy” fromThe Tortured Poets Department:50%

This Song dynasty is definitely tricky , but I do n’t know — the lyric are a petite bit cringe to me ! All the punning on football … I do n’t get it on … it is n’t my fave . I was actually a little underwhelmed with the horizontal surface of mania in the happy songs on this album . They do n’t have that same giddy , glad spirit as the one onLover , for example .

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212.“It’s Nice To Have A Friend” fromLover:50%

211.“Come Back…Be Here” fromRed:50%

I wish this Sung more than I remember , but it ’s not passing memorable , and the bridge is n’t anything super special . However , it does slap a petty .

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210.Superstar fromFearless:51%

This song feel middling childlike in its language , but I actually really like the melody and I finger like I kind of forgot about this song . It also has a decent bridge circuit !

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209.“This Love” from1989: 51%

This is a prissy Sung dynasty , but I never pick it out to listen to . The bridge is just o.k. , but I wish Taylor ’s voice in it !

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208.“You Are In Love” from 1989 (Taylor’s Version): 52%

I always desegregate this birdsong up with " This Love . " It ’s sweet , but not one of my fave . I think there ’s not enough fluctuation in the choruses for me , and it sense a little like sing - spill the beans —   though the chorus is good .

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207.“Timeless” fromSpeak Now: 52%

I love whenever Taylor dips into vintage imagination , but I feel like this is the weak song to do that . It ’s still good , but not my fave !

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206.“Sad Beautiful Tragic” fromRed:52%

This Sung dynasty is a little too slow for me . It ’s deplorable , but there does n’t seem to be a ton of variation within the song , and thus , it all kind of portmanteau together . However , I like the bridge circuit , especially the emotion in " Would you just seek to LISTEN ? "

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205.“Snow on the Beach (ft. Lana Del Rey)” fromMidnights: 53%

I just do n’t love the lyric of this vocal , especially in the chorus ! The span is emphatically the good part .

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204.“Begin Again” fromRed:53%

203.“You All Over Me (ft. Maren Morris)” fromFearless: 53%

The lyrics are really strong in this strain . ( I ’ve always thought that Taylor updates some of her bank vault tracks because some of their lyrics feel more modern . ) I also sense like the lyrics here are a nod to " light " and the coin metaphor in " Tied Together With A Smile . " But it ’s not as good as those songs to me , and it does n’t really slap — this is also another case where the " bridge " is just another translation of the chorus , though I like it here , especially the " I keep an eye on a part of myself choke " line .

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202.“London Boy” fromLover: 54%

This song is cute , and I love the little presentation , but there ’s just stronger songs to me ! The lyrics are just pretty simple .

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201.“Welcome to New York” from1989:54%

200.“Snow on the Beach (ft. More Lana Del Rey)” fromMidnights:54%

199.“Cowboy Like Me” fromEvermore:54%

It ’s not that I imagine the lyric poem are bad by ANY measure , but I feel like compared to the otherEvermoresongs , which are stellar , these lyric poem are n’t as potent . But I love the bridge !

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198.“ThanK you aIMee” fromThe Tortured Poets Department:55%

197.“Stay Stay Stay” fromRed:55%

This song is also really cute and fun , and it reminds me of Taylor and Travis even though it was written wayyy before them . It gets a high emotion score because it ’s just so giddy . I also like the nosepiece . But it does finger fairly bare !

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196."…Ready for It?" fromReputation:55%

195.“So High School” fromThe Tortured Poets Department:56%

194.“Imgonnagetyouback” fromThe Tortured Poets Department:56%

I hate to say it , but I consort with Pitchfork that this reminds me of the Olivia Rodrigo song . I realize " getting someone back " is a common subject , but it ’s the punning of " get him back " vs. " get back at him " and the quick back - and - forth that feels like . So , it vex humbled originality item ( though this may have been save before Olivia ’s Sung dynasty fall out ! ) , and it ’s laborious not to compare it to the Olivia Sung dynasty , which I do think is more fun . Still , this is a nice birdsong , but on such a longsighted album , it does fade a bit to the back for me . But I wish the bridge and the pre - choir a raft !

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193.“Anti-Hero (ft. Jack Antonoff)” fromMidnights:56%

192.“All You Had to do Was Stay” from1989:56%

I hate when people say all Taylor ’s strain vocalize the same ( she has like 250 birdsong , and there ’s SO much edition ) , but " All You Had to Do Was Stay , " " I bid You Would , " and " How You Get the Girl " all sound a bit similar to me , tbh . This one does n’t have much of a bridge , and though it ’s definitely a banger , it ’s not very memorable to me , and I do n’t feel like the lyrics are super unattackable .

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191.“I Wish You Would” from1989:56%

The Greek chorus is maybe a second better than " All You Had to Do Was rest , " but I finger likewise about it otherwise !

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190.“Ours” fromSpeak Now:56%

189.“Look What You Made Me Do” fromReputation: 57%

188.“Gorgeous” fromReputation: 57%

This isRep’sversion of a cute , giddy song , which stand for it does n’t totally feel like it fits on this record album . Still , it ’s a play song that encapsulates early attraction very well . The lyrics are fairly simple , but they ’re catchy . I do n’t roll in the hay the sing - talking style of the bridge though , but it father fillip compass point for the cats cite !

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187.“I Hate It Here” fromThe Tortured Poets Department:57%

This is one of Taylor ’s most relatable birdsong to me , but I wish well it was stronger in its music and some of its lyrics , though I enjoy the concept . I know she ’s getting a lot of flak catcher for the 1850s logical argument , but I wish the estimation that follows about how nostalgia is a prevaricator . Still , I feel like this Sung dynasty did n’t accomplish its full potential drop . I do like the bridge !

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186.“Glitch” fromMidnights: 57%

This song is fun and sexy , but I do n’t unremarkably seek it out to listen to , and I ’m a snatch underwhelmed by the bridge !

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185.“Stay Beautiful” fromTaylor Swift: 57%

This vocal is just pleasant ! I do n’t really get laid how else to distinguish it , lol . It ’s just a mellifluous fiddling Song dynasty , but I feel like the bridge could be stronger !

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184.“I Think He Knows” fromLover: 57%

This song is fun , but I ’ve just never be intimate it ! There are portion I really like — like the bridge and the line , " he ’s so obsessed with me and boy , I sympathise , boy , I understand " — but I always forget about it overall .

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183.“I Can Fix Him (No Really I Can)” fromThe Tortured Poets Department:57%

I really wanted this strain to slap more —   I imagine I wanted the look to be more cheerful and optimistic and hopeful and kind of thin into the delusion more . I like the conclusion , and some of the lyrics , but this one becomes a bit forgettable to me , especially in the bridge .

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182.“The Bolter” fromThe Tortured Poets Department:58%

I kind of feel like this is a clone of " Getaway Car " in the lyrics and composition ( I intend , it even advert a town gondola speeding out ) , and that s some hard rivalry . I still like this song a lot , but it ’s not extremely memorable .

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181.“Superman” fromSpeak Now:58%

I actually really like this song liken to some of the other bonus songs , but it does n’t stand out compared to the rest of the original album . I do like the bridge !

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180.“Clara Bow” fromThe Tortured Poets Department:58%

" All your life you ’d be pick like a bow " is a great line that shows the doubly - edged sword of fame , which Taylor overall portrays passing well onTTPD.This song feels like a sequel to " Nothing New , " with a lilliputian routine of " The Lucky One " — Taylor by all odds is concerned with how ephemeral celebrity is , even though she ’s sincerely stand the test of time —   but the fear unquestionably makes sense in the context of how we process famous fair sex as they get older . Anyway , this is a strong song , and I care the root word , but musically , it ’s not the most memorable to me . I still love it , but there are strong songs !

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179.“Shake it Off” from1989:58%

178.“How You Get The Girl” from1989:58%

Like I mentioned in " All You Had To Do Was remain , " and " I Wish You Would , " this one just does n’t stand out and sounds like a lot of other1989songs to me ( though I think it slaps slightly more ) . And it does n’t really have much of a bridge .

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177.“I Bet You Think About Me” fromRed:58%

176.“Say Don’t Go” from1989:59%

This birdcall has a really strong curtain raising , and I care the hint - in to the chorus line … but I do n’t bang the Greek chorus itself ( particularly the source of it ) . " I SAY I hump YOU " from the bridge extend firmly , though .

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175.“Dear Reader” fromMidnights: 59%

There ’s not much to this chorus line , though I wish the lyrics ! And the bridge is nice , but the rest of the Song dynasty does n’t really slap .

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174.“Gold Rush” fromEvermore: 59%

This is a adept song , but … there ’s really no bridge , and it find like it need one ! I care the intro and outro , though !

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173.“Teardrops on my Guitar” fromTaylor Swift: 59%

172.“Tim McGraw” fromTaylor Swift: 59%

171.“Slut!” from1989: 60%

This song has a unique sound , and I wish Taylor ’s vox and imagination in it . My main gripe is that I bid this song go a routine severely and had more bite to it , especially considering it ’s about the sensitive ’s perception of her — and those songs are usually really strong .

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170.“Sweet Nothing” fromMidnights: 60%

This song is very sweet and vulnerable , but it just does n’t slap or desolate me !

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169.“The Lakes” fromFolklore: 60%

This song has beautiful lyric , Holy Writ selection , and imaging , but sometimes it almost feels like … too much ? Because then when a more advanced or daily news ( like " cellular telephone " and " tweet " ) appear , it sort of breaks the illusion . It ’s a pretty song , though , and I care the chorus !

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168.“Coney Island (ft. The National)” fromEvermore: 60%

I care Taylor ’s lower phonation in this song , but I still call back The National comes in a small too rich in comparison . The bridge deck is decent , but not unbelievable , and I finger like this Sung is n’t top-notch catchy .

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167.“Dancing With Our Hands Tied” fromReputation: 60%

This birdsong has a just beat , and it ’s a strong song , but it ’s just not my fave ! I wish it was all more like the bridge .

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166.“If This Was a Movie” from…Speak Now/Fearless(Pre-Taylor’s Version, it was included inSpeak Now, but in Taylor’s Version, it was included inFearless): 61%

This vocal is just o.k. until the bridge , which is leading , particularly at the head start of it . Still , the Sung dynasty overall is n’t anything super special to me !

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165.“Hey Stephen” fromFearless: 61%

This is a angelical song and it get points for originality , but it does n’t really feel like a Taylor Swift song . I do really like the bridge , though .

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164.“Come in with the Rain” fromFearless:61%

This one is a little forgettable . But I think Taylor ’s voice is really strong in this strain , and I like the bridge circuit !

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163.“Suburban Legends” from1989:62%

I wish the lyric ( peculiarly " You snog me in a way that ’s gon na screw me up forever " ) and the high school imagery . I also like the bridge , though it ’s really more of an outro . Overall , though , I do n’t know ! I forget about this one !

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162.“Peter” fromThe Tortured Poets Department:62%

I love the Peter Pan imagery ( it ’s also a capital callback to " Peter losing Wendy " from " Cardigan . " ) I retrieve I wanted a moment more from the chorus , though , since it ’s pretty repetitive , and it does n’t really slap .

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161.“King of my Heart” fromReputation:62%

This song has a fun bridgework , and overall it ’s fun , but it pales a second in equivalence toRep’sother love song —   it does n’t feel quite giddy , aphrodisiac , or vulnerable enough to equal them .

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160.“Karma (ft. Ice Spice)” fromMidnights: 62%

159.“Robin” fromThe Tortured Poets Department:62%

I like the themes about protect innocence and I think it ’s a super jolly vocal , but definitely not the most memorable fromTTPD !

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158.“Midnight Rain” fromMidnights:62%

I did n’t love this birdsong at first — I did n’t like the synthy low voice in the commencement and at the final stage of the Greek chorus , and I still do n’t , but the rest of the song form of slaps … except it does n’t really have a bridge ? The outro form of feels like a bridge , but it comes too late and is a fleck underwhelming . But I ’ve definitely come around to this birdsong now and it ’s a fun listen !

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157.“Speak Now” fromSpeak Now:62%

As far as titulary raceway , this one feels slightly lacking for me . I love the imagery of go down a hymeneals ( and I ’m beaming we finally bugger off to see that imagery in the " I Bet You Think About Me " television , but the tune find a spot forgettable . However , especially in the re - recording , I feel like Taylor ’s voice is really strong , and I like the bridge .

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156.“Bigger Than The Whole Sky” fromMidnights:62%

This is one of those Taylor vocal that is too distressing to listen to . It ’s a beautiful song , but it obviously does n’t slap , and I wish there was more to the bridge because it ’s basically just the chorus line . It ’s still a beautiful , meaningful birdsong , though !

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155.“Invisible String” fromFolklore:62%

This song is angelic , and I love the conception of it ( though it ’s obviously lamentable now ) . But it pales a bit in comparison to the otherFolkloresongs to me ? Like it ’s obviously a groovy strain , but I do n’t find myself reach for it . It ’s get really strong language , but kind of a meh bridge .

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154.“The Best Day” fromFearless:62%

153.“Tied Together With a Smile” fromTaylor Swift: 62%

As a teenager , this was also always a personal fave of mind , so I have an unreasonable attachment to it . I still believe it ’s a sweet song , but " Forever Winter " is a stronger call with a similar content . The lyrics feel fairly dim-witted , but the second poesy is strangely MUCH stronger — " I guess it ’s true that love life is all you need , because you ’re afford it aside like it ’s extra modification , hop-skip it will end up in his pocket , but it leaves you out like a penny in the rain , oh ‘cause it ’s not his price to pay " —   life - changing . I also think the chorus is powerful musically and I still love to belt it . There is n’t really a bridge — just a lowly - intensiveness variation of the chorus — which sort of works for me here , but I would ’ve preferred a veridical bridge .

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152.“The Outside” fromTaylor Swift: 63%

This is such an underrated unveiling song . It ’s got a great momentum and smoothness to it , and it feels kind of similar to the content of " I Look in People ’s Windows , " but … better . The bridge circuit is just a reading of the chorus , but I wish how it ’s changed , so I wo n’t blame it too much ( though I wo n’t rate it too high either ) .

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151.“Tis the Damn Season” fromEvermore:63%

I like this birdcall , and it by all odds murder when I ’m in a certain mood , but I do n’t ordinarily assay it out !

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150.“Bad Blood” from1989:63%

Something feels like it ’s lacking from this song —   the edition with Kendrick is just much better to me . I imagine , similarly to " Out of the Woods , " the chorus feel pretty insistent , and as far as prick songs about former friends , this does n’t palpate like it ’s as strong as it could be . I do like the atomic number 82 - in to the choruses .

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149.“Better Man” fromRed:63%

I actually wish this song a band more than I remembered . I kind of need it to be a little more damnatory in its language , though , because Taylor does that so well . Still , it ’s catchy , and it has a bitter and sadness to it that make it high points on emotion . I also like the bridge , but I wish it was foresighted .

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148.“The Moment I Knew” fromRed: 63%

147.“A Place In This World” fromTaylor Swift: 63%

This was one of my absolute front-runner from her first appearance album when I was young . While I may be biased because of my personal flavor for this call ( and the nostalgia divisor , obviously ) , listening to it now , it still holds up . It ’s not basis - breaking , but it gives me this sort of barren feel I ca n’t quite draw . The bridge is definitely too short for me , but I like it . It also feels unique in comparison to some of the other debut Sung dynasty .

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146.“22” fromRed:63%

145.“Karma” fromMidnights:63%

144.“I Almost Do” fromRed:63%

This is a middling vocal , but it ’s not the strongest onRed , and it fade into the background a bit . I wish the bridgework and the choruses a lot though !

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143.“Labyrinth” fromMidnights:63%

First off , allow me say that I can not await for the Percabeth edits we ’re live on to get to this Song dynasty in Season 4 , ifPercy Jacksonmakes it that far . Anyway , this is a really beautiful song , and I personally remember it ’s underrated . The lyrics are withering , but a trivial on the simple side , so I did n’t rank them super high . And … regrettably , there is no bridge , and I palpate like there should be one !

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142.“Out of the Woods” from1989:64%

141.“We Are Never Ever Getting Back Together” fromRed:64%

140.“Right Where You Left Me” fromEvermore:64%

This feels like a vocal that should be onRed , but I still love it . I get laid the bit of twang at the root , and I reckon the bridge is strong . But it ’s not the most memorable to me !

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139.“The Man” fromLover:64%

138.“Vigilante Shit” fromMidnights:65%

137.“Cassandra” fromThe Tortured Poets Department:65%

Only Taylor Swift could make " I told you so " into such a beautiful song . I like this song a lot — and the bridge —   but it ’s def not my faveTTPDsong .

136.“Mean” fromSpeak Now:65%

135.“I Heart ?” from theBeautiful Eyes EP: 65%

I do n’t wish how many album Taylor add up out with , I will always write " I pith ? " on the back of my hand for every single concert . Honestly , this one still kind of smacking . It has an urgency and heart to it that I love , and the bridge is strong .

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134.“Untouchable” fromFearless:65%

This song is a book binding , so I feel like I had to give it a zero in lyrics , since Taylor did n’t write them at all . HOWEVER , this song is SO DIFFERENT from the original that it gets high originality marks . I bang Taylor ’s version of this Sung dynasty , and it ’s my go - to song whenever I need something quiet or sad , peculiarly when I ’m writing . I also get laid it when Taylor ’s part is a short lower like this , which feel especially cool in her younger era when it was rare . I also think it ’s really singular , but it still feel like it match into the record album . It does n’t have much of a bridgework , but it work here , so I ’m not marking it too low ( besides , that was n’t Taylor ’s choice ) . I do n’t know how much it slap , though !

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133.“The Lucky One” fromRed:65%

I ’ve always had a soft bit for this song , and I really like Taylor ’s voice in it . The bridge is more of a third verse than a bridgework , but I love the reverse in the story . I also just really love the second verse .

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132.“Starlight” fromRed:66%

This song feel like the younger babe to " The Last Great American Dynasty . " I wish the imagery a lot , and it ’s a fun song , but the span is a little underwhelming . Like , I care it , but it ’s so curt !

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131.“Cardigan” fromFolklore: 66%

130.“The 1” fromFolklore:66%

This birdcall has a great start and an overall pretty melodic phrase , and it ’s a gravid intro to Taylor ’s new geological era . But there is n’t much of a span !

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129.“Dorothea” fromEvermore:66%

I wish this song a fortune , and it ’s definitely one I actively play from clock time to sentence — I just bid there was a bridge circuit because then it ’d be order much higher !

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128.“Fresh Out The Slammer” fromThe Tortured Poets Department:66%

I hump the Western sound at the beginning of this and I bid it continued even more . I also wish the whole bridge was a little more like the middle lines because the rest period of the bridge is a flake underwhelming to me !

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127.“Mine” fromSpeak Now:67%

126.“Everything Has Changed (ft. Ed Sheeran)” fromRed:67%

125.“How Did It End?” fromThe Tortured Poets Department:68%

This is a super sad , beautiful song that aboveboard is a bit hard to listen to because of the emotion ( but it gets high performance points for the pain in Taylor ’s articulation ) . I really care the bridge of this song .

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124.“Change” fromFearless:68%

123.“Daylight” fromLover:68%

I love parts of this birdsong , like theRedreference , and " I ’ve force out of every way in this town , " and I think it ’s pretty overall , but depend at each of the elements , I do n’t feel like I need to rate them super luxuriously . Still a big strain !

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122.“Peace” fromFolklore:68%

This is a really honeyed , inner song with neat lyric , but for some understanding , it is n’t quite as memorable as I find like it should be . Maybe I palpate like the background medicine is a little minimalistic . It ’s also kind of hard to secern what the bridge is — I ’m move to count the closing of the second verse , even though it come before the 2nd Greek chorus since there are only two chorus . But I ’m marking it down for not being clean .

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121.“The Story of Us” fromSpeak Now:68%

120.“Carolina” fromWhere The Crawdads Sing:68%

This is a not bad haunting song . It does n’t quite feel like a Taylor Swift Song dynasty , but that certainly makes it feel original . It does n’t really slap , but I love its feeling and Taylor ’s phonation in it . It does n’t have much of a bridge deck , though !

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119.“Nothing New (ft. Phoebe Bridgers)” fromRed:69%

118.“Last Kiss” fromSpeak Now:69%

This song is beautifully distressing   —   almost too sad to listen to . The lyric are devastating , but it does not slap — except maybe for the bridge , which is neat .

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117.“Treacherous” fromRed:69%

I think the lyric are super secure in this song , and I love the bridge . But this song is still a bit forgettable to me !

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116.“Castles Crumbling (ft. Hayley Williams)” fromSpeak Now:70%

115.“Hits Different” fromMidnights:70%

I experience like it ’s risky to use slang in a song or a song championship , but this one works for me . I also finger like Taylor echo a hatful of honest-to-goodness imagination and report from past songs , but in a new way , so I like it . And I love the bridge —   I think , " argumentative and a bit of a dream girl " is just a banger line .

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114.“The Last Time (ft. Gary Lightbody)” fromRed:70%

113.“Better than Revenge” fromSpeak Now:71%

This is a great angsty song that experience like such a meter condensation of being young and furious — and yes , sometimes problematic and unforgiving . It slap 100 % , though obviously , the melodic theme are n’t not bad looking back today .

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112.“Bejeweled” fromMidnights:71%

111.“Mad Woman” fromFolklore: 72%

The melody of this birdcall has a great dark undercurrent to it , and the words really have a very firm discussion of distaff anger and how it ’s misguided for hysteria . Also , the bridge goes hard .

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110.“The Other Side of the Door” fromTaylor Swift: 72%

The bridge and the outro are both excellent , and I unquestionably think this Song dynasty should n’t just have been a bonus birdsong onFearless . It ’s a bop .

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109.“Breathe (ft. Colbie Caillat)” fromFearless:72%

Like " Hey Stephen , " this does n’t really feel like a Taylor Swift song , but this time , it works for me . I make out " People are masses and sometimes we commute our mind " is a simple line , but for some understanding , it has always been so impactful to me . But the bridge is where this song really shines .

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108.“Paper Rings” fromLover:72%

This is a great , woozy , glad song that ’s sport to sing , and I like the bridge circuit a lot !

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107.“Now That We Don’t Talk” from1989:72%

I care the bridge was stronger ! However , I dead screw the Greek chorus of this song , and it ’s wildly catchy !

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106.“I’m Only Me When I’m With You” fromTaylor Swift: 72%

105.“Tolerate It” fromEvermore:73%

I have to admit , I think I went to the bathroom during this song in the concert . It honestly makes me too sad . So … emphatically a 10 on emotion , lol . It ’s a beautiful , devastating strain , and I like the lyrics a deal , but the sound of the verse could utilise more variation IMO .

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104.“Ronan” fromRed:73%

103.“But Daddy I Love Him” fromThe Tortured Poets Department:74%

I have so many mixed feelings about this song , but I ca n’t deny it slaps . As a certified Matty Healer hater , I do n’t love the defiance of this song , but I do think this song is more about people have impossible standards for her than being about fight back Matty himself ( she clearly criticizes him on other parts of the record album ) . I cerebrate it ’s a much stronger song if you divorce it from its linguistic context . Without the context of use , it ’s a fun , defiant anthem , so it ’s get passably high scores for me on everything , even though it ’s a slightly uncomfortable listen to me .

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102.“This Is Why We Can’t Have Nice Things” fromReputation:74%

I love the sassiness of this song . It bosom the villain vibraharp of the album but is also bite and puts the blame where it belongs , which have it sense more authentic . The bridge is also super playfulness .

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101.“Dress” fromReputation:74%

I feel like this was Taylor ’s first rightfully sexy song to be released , and I remember being shock ( in a adept direction ) when I heard it . The breathiness of it is staring , and I love the chorus , though a mountain of the lyrics finger fairly standard ( I ’ve never loved " I do n’t require you like a good booster . " ) I also like the bridgework , and you have ta love the Bleachella reference .

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100.“Wonderland” from1989:74%

Maybe I ’m biased because I loveAlice in Wonderland , but I ’ve always loved this strain . I just think it ’s enjoyable , and I love the mutant of the verse line , the lead - in to the chorus , and the chorus . I just sense like this vocal has a lot move for it and is underappreciated !

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99.“I Can See You” fromSpeak Now:74%

98.“Red” fromRed:74%

97.“I Can Do It With A Broken Heart” fromThe Tortured Poets Department: 74%

This song is wildly attention-getting , and as I ’ve previously stated , I love songs that are kind of depress with an cheerful tune , which just tally the themes of this song perfectly . I take slight issue with the melodic line " I ’m so depressed I act like it ’s my natal day " because I call up it ’s kind of random , and I also think birthdays have a history of being lamentable in Taylor Swift language , but that ’s me being nit - picky ( and I ’m not rate the chorus too low-toned because I LOVE the pre - Greek chorus ) . I love the back - and - forth of fun , light references , and devastating minute like HE tell HE’D LOVE ME ALL MY spirit . But … there ’s no veridical bridge ! And I require one !

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96.“Mastermind” fromMidnights:74%

I know this is a circle of hoi polloi ’s faveMidnightssongs , and I do n’t totallyyy get why . Overall , it ’s a really respectable birdcall but not exceedingly memorable to me —   until the bridge . I love the bridge .

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95.“The Way I Loved You” fromFearless:74%

I love the intro outsmart of this Song dynasty , and it has a crack strong bridgework , too . I also love how the beat comes back during the ensuing chorus line . It ’s a super catchy birdsong on an album of catchy vocal , so it can , unfortunately , sometimes get lost amongst the others .

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94.“Guilty as Sin?” fromThe Tortured Poets Department:75%

I really bang the beatnik and vocal music of this strain . But I want even more to the bridge , though I love the line " they ’re gon na crucify me in any event " and the emotion behind it !

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93.“Mirrorball” fromFolklore:76%

I care the chief metaphor of this song a spate ( and all the small metaphors within ) , and I care how it sounds like a much happy strain than it is — it ’s in reality pretty crushing . It ’s a great song , but def not my favorite onFolklore , though I like the bridge !

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92.“Cold as You” fromTaylor Swift: 76%

There ’s nothing Taylor does well than a track that utterly decimates someone ’s entire existence , and I think this might be the first one . I mean I forget how much this one slaps , and " You come forth with a great little story of a mountain of a dreamer with the nerve to adore you " is also just a prima line and I think this song has some of the sound lyrics of her debut record album . Also , the bridgework smacking . Honestly , I did n’t gestate to rate this one so high-pitched equate to the others on debut , but it ’s aboveboard one of the stronger songs listening back .

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91.“White Horse” fromFearless:76%

90.“Style” from1989:76%

89.“I Knew You Were Trouble” fromRed:76%

88.“You’re Not Sorry” fromFearless:76%

Taylor really hold out heavily with the " screw you " songs on this album , and they ’re all stellar . This bridge deck is short but sweet , and I love the angst of this song .

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87.“New Romantics” from1989:76%

86.“The Last Great American Dynasty” fromFolklore:76%

It ’s foreign , because most of the " story " ofFolkloreis about the love trigon , but story - wise , I think this story ’s a lot more fun . Taylor ’s such an incredible storyteller , and it ’s so fun to hear her tell this tale of another noncompliant , judged , mischievous woman . It also has all the with child vintage vibes , and the span is excellent . And " she had a marvelous time ruining everything " is just a not bad lineage .

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85.“Bad Blood (ft. Kendrick Lamar)” from1989:76%

84.“You’re Losing Me” fromMidnights:77%

This strain is so devastating , and it catch a uncommon 20 for the bridge , specially because of the 2nd one-half . The beggary is just heartbreaking , but still manages to slap . I think , " I would n’t marry me either , a pathological people pleaser " ? ? ?

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83.“Our Song” fromTaylor Swift:77%

82.“I Did Something Bad” fromReputation:78%

comprehend this " bad girl " persona was one of the smartest PR moves Taylor ever made , and then she used it to make unbelievable medicine ? ? ? I wish the lyrics of the bridge deck , but overall finger like it could be a spot strong . Still , this song is so fun and dismal and vibey .

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81.“Evermore (ft. Bon Iver)” fromEvermore:78%

I think this is a exceedingly underrated beautiful song — my only issue really ( besides it not really slapping ) is the bridge deck . I like the bridge a lot , but I wish well there was more Taylor , because I do n’t love Bon ’s part in the bridge , though I wish the tune and the lyrics .

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80.“Exile (ft. Bon Iver)” fromFolklore:78%

This song decidedly grow on me —   I was n’t sure about Bon Iver and Taylor together at first , and now I do n’t know what I was reckon , because they ’re perfect together . This is a really beautiful duo . I find like the lyric poem could maybe be a moment warm ? But the bridge circuit is gravid .

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79.“I’d Lie” from pre-Taylor Swift: 78%

I ’m not even joking when I say this is the good song from her debut album AND IT ‘S NOT EVEN ON THE ALBUM . IT ‘S NOT relinquish ANYWHERE . Which is why I ca n’t await forTaylor Swift ( Taylor ’s Version ) . It ’s just so damn catchy , and tangible Swifties know every single word . It has a curt bridge circuit , but I love the version of the chorus that follows . The grip " SO I PUT ON MY MAKEUP AND PRAY FOR A MIRACLE " had on me …

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78.“Happiness” fromEvermore:78%

I also think this Sung is very underrated . It ’s just a great dumb build of a song with strong lyrics , and I jazz the maturity mixed with moments of bitterness and hope that see - saw .

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77.“Love Story” fromFearless:78%

76.“My Boy Only Breaks His Favorite Toys” fromThe Tortured Poets Department:78%

I love the concept of this song , and the chorus is fun ( even though it ’s plainly first-rate deplorable ) . I just do n’t love the bridge . HOWEVER , I love the outro that attach to the span ( starting with " just say when …. " ) .

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75.“Should’ve Said No” fromTaylor Swift: 78%

I ’ve always relate this one with " Picture to Burn , " because they sense interchangeable in term of emotion and sound , but in person , I always loved " movie to Burn " better . It ’s still a great angsty song , though . I also love the " DO . YOU . HONESTLY . EXPECT . ME . TO . BELIEVE . " part of the second verse . Also , the bridgework is super strong , albeit short .

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74.“Picture to Burn” fromTaylor Swift: 78%

73.“False God” fromLover:78%

Another underappreciatedLoversong ! I ’ve always see this one super unique when it comes to the instruments , and it has the same eroticism as " Do n’t pick Me . " But … where is the bridgework ?

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72.“Ivy” fromEvermore:79%

I love this birdsong and its lyric poem , and the bridge is super inviolable , but I feel like I forget about it a lot !

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71.“I Don’t Wanna Live Forever” fromFifty Shades Darker:79%

70.“Eyes Open” fromThe Hunger Games:79%

I jazz I ’m going to get rebound for place songs fromThe Hunger Gamesso high , but I tap you , take another listen . The two songs are INCREDIBLE . Like , they take Taylor to get do some soundtrack song , and she set the piano on fire . She pulled a Phil Collins inTarzan . She did n’t even need to go as hard as she did . " eye Open " is the weakly of the two songs , but it ’s still a great song . It perfectly fits the picture show while also being in Taylor ’s style —   and have you ever tried to sing this call ? It ’s fundamentally impossible . But I always desire to ! This song also cue me of an update " variety , " but feel like it could check in during theSpeak Nowera of storybooks and fighting dragon . The second verse line exit so hard —   I in spades attempt to belt out " SO plow AROUND ! " And then the bridge ? ? ?

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69.“Jump Then Fall” fromFearless:79%

This is another Sung that radiates utter joy to me . It ’s just so tricky and merriment to sing —   I especially love the way the phrases sort of disrupt each other in the second verse : " I love each lentigo on your face — Ohio ! I ’ve never been so twine up — honey I wish the agency you ’re everything I ever wanted . " And the bridge is great to belt out .

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68.“Never Grow Up” fromSpeak Now:79%

This is such an underrated Taylor song ( can you order now I ’m aSpeak Nowgirlie ? ) . There are multiple Taylor Swift vocal about lose the shining newness of youth in the public eye . Still , I feel like we never get this message of speaking to your younger self and wishing you could have that youth back — not because of guild , but because of how beautiful it was to be a kid and how difficult it is to recognize that prison term is over . I gauge " The Best Day " is about similar themes , but this one start a mo hard because it has more of an border and bitterness to it while also abide sweet . Also , " I just realized everything I have is someday gon na be gone " might be one of the most devastating lines Taylor has ever drop a line .

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67.“loml” fromThe Tortured Poets Department:79%

This is emphatically one of the most devastating Sung Taylor ’s ever written . I literally can not even bear to heed to it . It ’s an unbelievable song musically , lyrically , in the bridge deck etc … but definitely not an easy listen .

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66.“Willow” fromEvermore:79%

64.“Wildest Dreams” from1989:80%

63.“Tell Me Why” fromFearless:80%

God , I forget how hard this Sung dynasty slaps . It ’s the ultimate angry belting song . Yes , the language are simple , but they ’re effective .

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62.“Holy Ground” fromRed:80%

I love this song so much . I like that the verse have this urgency to them , but it slows down for the chorus — it palpate like a reversal of what songs usually are .

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61.“Delicate” fromReputation:80%

60.“Long Live” fromSpeak Now:80%

I ’m so glad she added this to the tour , because I remember seeing it inhabit during theSpeak Nowtour , and it just feel like such a witching thing to share with the whole band . It ’s such a great vocal about underdog and friendship and accomplishment , and it always just make my heart well up . Like " The Story of Us , " the metaphor finger young , but here it find like it ’s in a good path —   like it ’s tell apart us that the feeling you ’re supposed to get from this strain is like finishing a majuscule children ’s book or watching the part of the movie where the heroes vote out the flying lizard .

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59.“Miss Americana and the Heartbreak Prince” fromLover: 80%

58.“Chloe or Sam or Sophia or Marcus” fromThe Tortured Poets Department:81%

This Sung dynasty is really beautiful and withering , but I wish the bridge was long . I really love the lyric , but it ’s also one of those song I do n’t assay out because it ’s so sad .

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57.“Forever Winter” fromRed:81%

This song will always devastate me . Taylor has a few songs that are so authentically deplorable that I do n’t like to listen to them . It feels like this one should fall in that class , except it ’s kind of a banger . This one is fun to belt out , and the love and despair that smoothen through give this song a little more Department of Energy and oommph .

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56.“The Albatross” fromThe Tortured Poets Department:81%

It honestly makes me sad how much Taylor sings about the negatively charged effects of fame on this album , but those Song dynasty are some of her strongest work . I love this song because , beyond its attention-getting tune , it plays on prior themes of embracing role the public shove upon her , but this time instead of mocking them , it sort of blows off the mantle . It ’s a potent song and definitely one of my favourite fromTTPD ! It just feels passing vulnerable and frank . I just desire more of a bridge !

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55.“Forever & Always” fromFearless:81%

This was always one of my faves . It ’s a heavy teen angst strain . I * might * be rank it too mellow because of my personal connection to it , but like , you ca n’t deny this is a great song . It ’s so strong to liken super early Sung to later ones because , apparently , the songwriting improve in later record album , but you just ca n’t beat the strength , energy , and anger of this early work . There ’s something … barren about it , I think ? Anyway , this is one of my faveFearlesssongs .

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54.“Fifteen” fromFearless:81%

53.“Lavender Haze” fromMidnights:81%

52.“Afterglow” fromLover:82%

I ’ll take underrated song fromLoverfor 100 , Alex … this is another great example of a Taylor song where she takes responsibility , which are always strong . I just wish the bridge was stronger !

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51.“Call It What You Want” fromReputation:82%

I always affiliate this song with " Delicate , " and I can never quite decide which I wish well . For the purposes of this Wiley Post , I ’m going to say I care this one a bit better , mostly because of the bridge .

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50.“Fortnight (ft. Post Malone)” fromThe Tortured Poets Department:82%

49.“The Great War” fromMidnights:82%

This decidedly should ’ve been on the main record album ! It ’s one of my preferent 3 am songs . I love the war imagery , and it also feels reminiscent of " Afterglow " in its lyrics and root . And then it also kind of goes hard —   ESPECIALLY on the bridge . " SOMEWHERE IN THE HAZE , GOT A SENSE I’D BEEN BETRAYED " is a great language to belt out out .

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48.“Epiphany” fromFolklore: 82%

I will fight to the death for " Epiphany . " If " Epiphany " has one fan , it ’s me , and if it has no fans , I ’m dead . I ’m legit mad y’ all do n’t get it . First of all , it just feels so important and impactful given that it ’s about Taylor ’s grandfather and the health care proletarian during COVID . It ’s authentically crushing , and yet it still belong hard . Is it bad that I belt out " SIR I THINK HE ‘S BLEEDING OUT ! " And " There ’s some things that you just ca n’t speak out " kills me . But … it does n’t really have a nosepiece . I do n’t feel like it need one , so I wo n’t give it a zero there , but I ca n’t value it mellow , either .

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47.“Innocent” fromSpeak Now: 83%

46.“Clean” from1989:83%

I love the lyric of this vocal , and I think the bridge is really impregnable . My only issue is that it just does n’t really slap , unfortunately . But it ’s still a fantastic song !

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45.“The Manuscript” fromThe Tortured Poets Department: 83%

44.“Illicit Affairs” fromFolklore:84%

43.“You Belong With Me” fromFearless:84%

42.“New Year’s Day” fromReputation:84%

" Please do n’t ever become a stranger whose laugh I could acknowledge anywhere " is SO withering , specially given Taylor ’s no longer with the mortal this song is about . This bridge is basically just a repeated line like many of theRepsongs , but it feels like it work a slight better here .

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41.“So Long, London” fromThe Tortured Poets Department:84%

This song hurts my warmheartedness . It has so many gravid occupation , like " I ’m puddle off you let me give you all that young for barren " and " I died on the altar waiting for the proof . " But it ’s the emotion in Taylor ’s spokesperson that congeal this song asunder for me —   especially during the early days stemma and the short letter " And I ’m just getting colour back into my human face , I ’m just unhinged as blaze ‘cause I loved this billet for so long " and " Every intimation feels like rare air . " It just feels like this emotional buildup and release of gloominess and tartness and aver good-by . I love this strain so much .

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40.“State of Grace” fromRed:84%

I ’ve always loved this song — the language , the chorus , the performance , everything . However , it lacks a super strong bridge .

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39.“Marjorie” fromEvermore:85%

I LOVE that Taylor really use her nanna ’s vocalism in this call . It ’s such a beautiful tribute , though it does make me lamentable to listen to . It ’s just such a relatable birdsong , particularly the bridge circuit —   the idea of complaining and not appreciate time with your grandparents when you ’re younger and bury that you ’ll drop off them immature .

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38.“The Tortured Poets Department” fromThe Tortured Poets Department:85%

This might be my favourite titular running of Taylor ’s . I really care the lyrics and the bridge , and I just palpate like it ’s super strong overall .

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37.“This Is Me Trying” fromFolklore: 85%

" They told me all of my batting cage were genial , so I got wasted like all my potential . " I have in mind ! ! ! ! The lyrics of this birdsong ! ! ! It ’s so well - written and withering , and it ’s also just a beautiful , relatable Sung dynasty .

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36.“Hoax” fromFolklore:86%

" Hoax " is such a beautiful song ; it set about 10s almost across the board from me . It has this dark bound , and even though it ’s super slow , it never feels dull or repetitive . However , it does n’t really slap . There ’s not really much of a bridge — I think it ’s the   " you bonk I left a part of me back in New York " which feel a bit like another poesy — but I still love that part of the birdcall and the language there .

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35.“Down Bad” fromThe Tortured Poets Department:87%

This should by all odds be Taylor ’s next single fromTTPD.It ’s so tricky and relatable . I also love the bridge and specially the crosscut of " how dare you say that it ’s – " . It feels really emblematic of the wholeTTPDalbum , too , lyrically and musically , and in its emotion and bitterness and confusion .

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34.“The Prophecy” fromThe Tortured Poets Department: 87%

This song kills me . It reminds me a mo of " Hoax , " and the bank line " stand on the cliffside screaming , ' Give me a intellect . " It ’s a smashing song , but it stops curtly of being too sad to listen to for me , and I ’m give it a variety of gamey slaps score because it still feel like the kind of song I want to scream out . I cogitate it ’s the urgency and despair of it — it ’s more than grief or sadness . There ’s Bob Hope and pungency in it . And the " spending my last coins so someone will say me it ’ll be okay" … is this a recall to " Tied Together with a Smile " I see ? ? ? If so , I ’m even more low . Brava , Taylor .

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33.“Safe & Sound (ft. The Civil Wars)” fromThe Hunger Games:87%

32.“The Smallest Man Who Ever Lived” fromThe Tortured Poets Department: 88%

Taylor really is at her secure when she pen these vituperative Song , and this is some of her most damnatory employment . I stand for … “YOU DESERVE PRISON BUT YOU WON’T GET TIME . " If someone said that about me ( or if I was a valet de chambre and they said " you did n’t measure up in any meter of a man " ) , I would go into hiding . speak of that origin … this bridgework SLAPS . One of Taylor ’s just . I like the rest of the song a lot , but I candidly listen to this strain for the bridge . I do n’t guess the rest of the song slap much , but the bridge go SO severe that I ’m still giving it a 9 for slaps . The bridge circuit sense even good because you have to wait for it .

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31.“Maroon” fromMidnights: 89%

Maroon merit more lovemaking . I was SO glad that I got this as a bonus song . " THAT ‘S A REAL FUCKING LEGACY ! " is so fun to sing in a stadium of people . ( Though I wish there was more to the bridge besides that ) .

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30.“Florida!!! (ft. Florence + The Machine)” fromThe Tortured Poets Department:89%

29.“Sparks Fly” fromSpeak Now:90%

28.“Dear John” fromSpeak Now:90%

Speak Nowis visible light on those damnatory Song Taylor is so well - acknowledge for , but when it finally has one , it piss up for that tenfold . This is a fantastic song that captures a toxic relationship so well . And the bridgework is grotesque —   no note . I could scream , " I ’m shining like fireworks over your pitiful , empty Ithiel Town " evermore .

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27.“I Know Places” from1989:90%

This birdsong has such a dark-skinned , sexy beat to it that I love , and I have sex the metaphor in it . I also just think Taylor ’s interpreter is really strong here . I only wish the bridge had more to it !

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26.“Soon You’ll Get Better (ft. The Chicks)” fromLover:90%

The only understanding this Sung dynasty is n’t in high spirits is the " slap " class … which is why I included that category . I ’ve mentioned this a few times already , but there are a few songs by Taylor that are genuine masterpiece , but they are just too distressing to desire to scream out in your railway car . That does n’t make them bad song , but it does somewhat disfavor them in this ranking , if only because there are song that are devastating AND go hard . At this dot , though , remember we ’re already into Taylor ’s best songs , and they ’re all amazing . This is a attractively sad Song dynasty , and I love Taylor ’s voice and emotion . I also make love the Chicks on it .

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25.“Don’t Blame Me” fromReputation: 91%

This one is 10s almost across the circuit board . It ’s an almost unflawed song . This record album is a expectant mixing of this villain - style intensity , expressing your sexuality , and the super vulnerable feelings you get at the beginning of a kinship — and they all number together on this song . This song ISRepto me . I just bid it had more of a bridge ! ! ( Though I LOVE how the voices follow together and belting " USING FOR THE respite OF MY life history ! ! ! " is always fun ) .

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24.“Blank Space” from1989:92%

23.“Enchanted” fromSpeak Now: 92%

22.“August” fromFolklore: 92%

I ’m going to get hate for not lay this in the top 10 , so countenance me just say now : August is a great strain . An amazing Sung dynasty , even . I love " August . " It ’s a bop ! But … there are better Song on this record album , imo ! It ’s still exceedingly stiff , butFolkloreis an extremely strong record album , and this song has a lot of contention !

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21.“Betty” fromFolklore:92%

20.“Cornelia Street” fromLover:92%

WHAT DO I HAVE TO DO TO SEE THIS SONG LIVE ? ? ? It ’s one of Taylor ’s best songs , and the " Live from Paris " interlingual rendition is even better ( yes , that may have impact my " public presentation " score , which might be unfair , but this is my listing ! ) . This song is devastating in the current linguistic context , but I still get it on it .

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19.“Anti-Hero” fromMidnights:92%

18.“Fearless” fromFearless:94%

17.“Is It Over Now?” from1989:95%

This is Taylor ’s best vault running ( except the 10 - instant version of " All Too Well " ) . My ONLY gripe is that weird gull randomness in the background . It always chafe me . But I LOVE the bridge ( can we call it a bridge if it repeats / doesn’t come after the second chorus ? I ’m talk about the " did you think I did n’t see you ? There were flashing lights " part , which slaps ) .

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16.“You’re On Your Own, Kid” fromMidnights: 95%

15.“Cruel Summer” fromLover:96%

I ranked this one low on a previous ranking and have a LOT of hate for it . And you eff what ? I ’ll be the first to admit I was wrong . This song is an sheer cracker . I feel like it have me witness it exist to genuinely appreciate it . And the bridge ? ? ? ( That we get twice ? Is it still a bridge ? Again , I do n’t know the technical stuff super well ) . " HE LOOKS UP smile LIKE A DEVIL " changed my life , and I do n’t know how it did n’t when it first hail out .

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14.“No Body, No Crime (ft. HAIM)” fromEvermore:96%

13.“The Black Dog” fromThe Tortured Poets Department, 97%

This song is so freak out goodness . The intensity level of the Greek chorus ( the drums in the background signal ! ! ! ) just works so well and produce this song so fun to sing . I also love the gift into the resentment of " I hope it ’s shitty in the Black Dog " —   it have high emotion points .

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12.“Lover” fromLover, 97%

11.“Seven” fromFolklore:97%

This is truly one of my fave birdsong . It ’s paragon in every way , but I had trouble rating the nosepiece because I ca n’t quite tell what it is . I ’m going to reckon the " I mean your house is haunted " part because that ’s whatGeniusis telling me … and that part is stellar .

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10.“Getaway Car” from fromReputation:97%

This is one of Taylor ’s good strain , IMO . It captures so many of the big facet of her medicine : the vintage imagery , a complimentary and reckless look , a good bridge … it ’s just a great vocal all - around , and it still manage to match in seamlessly on this album .

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9.“All Too Well” fromRed:98%

8.“The Archer” fromLover:98%

I feel like " The Archer " never bewilder its due credit ! ! ! But these are some of the strongest lyric Taylor has compose , IMO . They ’re dead withering and yet , like " All Too Well , " they ’re so easy to belt out out . This Song dynasty makes me feel feelings I did n’t know I had . It also feels unique amongst some of Taylor ’s other Song , and I call up her voice , emotion , and overall performance are just really strong . And yes , the bridge is just a repeat line for the first one-half , but it works here , and the part it conduct to is just howling .

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7.“Death by a Thousand Cuts” fromLover:98%

I finger like people are travel to be surprised at how manyLoversongs I have near the top . I in person thinkLovergoes vastly underappreciated , and I at least partly blame the pandemic and the fact that Taylor was never able to tour for this album . And this is definitely one of the bestLoversongs . I just know an upbeat - sound song that is really withering , and that ’s what this is . And the bridge is incredible .

6.“Haunted” fromSpeak Now:99%

This is the ULTIMATE Taylor Swift angst song . It ’s the closest she gets to stone , and I have always wanted a stone record album from her . It ’s also the only Taylor Swift birdsong where — I ’m so good-for-naught , Taylor ! ! ! —   I still prefer the original . It just capture the raw teenager angst well ! I sense like this will be contentious , but I really can not see a single flaw in this vocal ( except maybeeee that I like there was a act more to the bridge deck —   but it has slap-up intensity ) . I love it . It has such a majuscule border and desperation . I literally ca n’t imagine of a Taylor Swift birdsong that go hard .

5.“My Tears Ricochet” fromFolklore,99%

" AND I CAN GO ANYWHERE I WANT , ANYWHERE I WANT JUST NOT HOME . " Yeah , this bridge is a perfect 20 . In fact , the whole song is a utter … pretty much everything . I guess I ’ll bob a degree on originality because it does n’t finger wildly unlike other things Taylor has done , but really , this Song dynasty is just gross .

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4.“Who’s Afraid Of Little Old Me?” fromThe Tortured Poets Department: 99%

This is like the sequel to " Anti - Hero , " where she ’s embraced that indistinguishability . My ONLY takings with this song is so ridiculously nit - picky and personal —   I do n’t like the " levitate " word choice . It pull me out of the call because it gives a amusing range of a function of someone levitating . This might be partly because I reckon aSpongebobeditwith Plankton flying and sing this song and I can not for the life of me get it out of my head . I ’m knock off a single lyric breaker point for " levitate , " and if you ’re harebrained about that , you’re able to take it up with Plankton , not me . ( I ’m mostly kidding . This is definitely a top 5 birdcall , but I think the ones ahead of it are even good . )

3.“Champagne Problems” fromEvermore:99%

2.“Would’ve, Could’ve, Should’ve” fromMidnights:99%

I will forever be harebrained that this was on the 3 am edition and not the first version because it ’s not only the bestMidnightssong , it ’s one of Taylor ’s best songs , period . The lyric are devastating , and then it also has this incredible intensity . It ’s flawlessness in every category , except , I opine , originality , since it ’s like to theme in earlier birdsong .

1.And finally…“All Too Well (10 Minute Version)” fromRed:100%